LA PÚRPURA, RARA AFECCIÓN QUE DEJA MANCHAS EN LA PIEL
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LA PÚRPURA, RARA AFECCIÓN QUE DEJA MANCHAS EN LA PIEL
In "La purpura de la rosa," the muses of Greek myth sing praise to Spain and its king. The opera begins with a nod to Philip V, as the opening verses cry, "Viva Filipo, viva!" The story begins with Venus, goddess of love, hunting in a forest. After being threatened by a wild boar, Venus is saved by Adonis-a man who has sworn off all love.
La purpura de la rosa Biblioteca Virtual Miguel de Cervantes
La púrpura de la rosa es una ópera en un acto, compuesta por Tomás de Torrejón y Velasco sobre un libreto de Pedro Calderón de la Barca. Es la primera ópera compuesta e interpretada en América y la única ópera sobreviviente de Torrejón y Velasco.
La púrpura de la rosa 2014 Pocket Opera Company Opera on Video
La P˙rpura de la Rosa. 8 years ago. Gary Hoffman. For those versed in Golden Age Spanish literature the name. Pedro CalderÛn de la Barca (1600-1681) will of course be familiar, but. CalderÛn lovers and even connoisseurs are likely to raise an eyebrow at seeing. the man who penned La Vida es SueÒo ("Life is a Dream"), a.
[PDF] La púrpura de la rosa by Pedro Calderón de la Barca eBook Perlego
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BLEMF 2020 Selections from La Purpura de la rosa YouTube
La púrpura de la rosa ( The Blood of the Rose) is an opera in one act, composed by Tomás de Torrejón y Velasco to a Spanish libretto by Pedro Calderón de la Barca, a great writer of the Spanish Golden Age. It is the first known opera to be composed and performed in the Americas [2] and is Torrejón y Velasco's only surviving opera.
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La Púrpura de la Rosa Alt ernative. Title Composer Torrejón y Velasco, Tomás de: I-Catalogue Number I-Cat. No. ITT 18 Movements/Sections Mov'ts/Sec's: 1 act Year/Date of Composition Y/D of Comp. 1701 First Perf ormance. 1701-10-19 in Lima, Palace of the Viceroy Cast, Chorus, Orchestra, Composer (director)
La púrpura de la rosa POCPocket Opera Company
La purpura de la rosa is an Spanish opera in 1 act. composed by Torrejon y Velasco to a libretto by the playwrighter Calderon de la Barca (1600-1681). It is the first opera performed in the.
La Purpura de la Rosa Set Design
Ars Musica Chicago by Ted Shen June 25, 1992 In 1701 Tomas de Torrejon y Velasco's La purpura de la rosa premiered at the Spanish viceroy's court in Lima, Peru. Commissioned to celebrate the.
La Púrpura De La Rosa CD von Pocket Opera Company bei Weltbild.de
Just as Calderón's La púrpura de la rosa was the first opera in Spain, Torrejón's rendering was the first opera in the New World. And just as Calderón's celebrates the Franco-Spanish alliance between Louis XIV and Maria Teresa, Torrejón's praises the first Bourbon King of Spain, Felipe V.
La purpura de la rosa / rené clemencic de Torrejón Y Velasco, Tomás De (16441728), CD chez
"La Púrpura de la Rosa"Música de Tomas de Torrejón y VelascoTexto de Pedro Calderón de la BarcaPrimera ópera compuesta en América, Lima 1701.El montaje de es.
La purpura de la rosa CD Rakuten
Tomas de Torrej6n y Velasco and Pedro Calder6n de la Barca, La purpura de la rosa, performed by the University of Michigan School of Music Opera Work-shop, March 24-25, 2006. The fabled love story of the mortal Adonis and the goddess Venus received a youthful and energetic staging when the University of Michigan School of Music
* LA PURPURA DE LA ROSA. Tomás de Torrejón y Velasco
ONLINE AUDIO GUIDE 8.1 OPERA title: La Púrpura de la rosa (The Blood of the Rose) composer: Tomás Torrejón y Velasco librettist: Pedro Calderón de la Barca language: Spanish performing forces: five female voices (Judith Malafronte as Venus); harp (Andrew Lawrence-King), theorbo, viola da gamba, violone form: free, with some repetition of material
La púrpura de la rosa Ah del coro de las nueve ninfas YouTube
Summary. Opera was performed in the Spanish-speaking New World colonies almost a century before what later would become the United States. The first operas staged in the Spanish colonies were wildly elaborate projects funded by the viceroys—Tomás de Torrejón y Velasco's La púrpura de la rosa, in Lima, Peru, in 1701, and Manuel Zumaya's Parténope, in Mexico City in 1711.
* LA PURPURA DE LA ROSA. Tomás de Torrejón y Velasco
The performance history of La púrpura de la rosa ("The Color of the Rose" or "The Blood of the Rose") begins in Madrid in 1659 with a treaty and a betrothal, and leads to Lima in 1701 with a French king and his birthday. The libretto, a one-act mythological comedia in polymetric verse by Pedro Calderón de la Barca (1600-1681), presents the dramatist's adaptation of the Ovidian story.
TOMAS DE TORREJON Y VELASCO LA PURPURA DE LA ROSA
The fabled love story of the mortal Adonis and the goddess Venus received a youthful and energetic staging when the University of Michigan School of Music Opera Workshop put on its production of the rarely performed La púrpura de la rosa, an opera orchestrated by the Lima composer Tomás de Torrejón y Velasco and based on an earlier libretto by the renowned Spanish dramaturge Pedro Calderón.
